Month: September 2012

September 10, 2012December 11, 2020

London Protests for Palestinian Hunger Strikers

Report from Yael Kahn, on the London protest to support Palestinian hunger strikers, Samer Al-Barq and Hassan Safadi, who are engaged in the longest hunger strikes in history. These courageous people are highlighting Israel’s Kafkesque abuse of Palestinian prisoners, who are detained without charge or trial:

‘London protest: The tens of thousands of people walking between Trafalgar Square and Leicester Square, many of whom were involved in the final day of the Paralympics, in central London could not miss the large banners and around 40 protesters demanding the immediate release of the hunger strikers.

Amazing support for the Palestinians in general and to the hunger strikers in particular among the public, many of whom were involved in the Paralympics at Trafalgar Square. We leafleted and engaged with well over 1,000 people, with many more thousands reading our messages pinned to our clothes and posters.

Clearly among the general public and the tourists in London the support for the Palestinians is tremendous.
Even an Israeli who was sent to join the Olympics agreed the conditions of the prisoners and their incarceration without charge were unacceptable.

Another passerby got involved because his teenage daughters were very interested. He was surprised and extremely pleased to find out that the Muslims and Jews at the protest had the same aim to support the hunger strikers.

It really feels that at last people are coming together in response to the plight of the hunger strikers.’

Israel has failed to honour its previous agreements in regard to Palestinian detainees. In the light of this, Addameer, Al-Haq and PHR-IL urge the international community to immediately intervene on their behalf and demand:

That the agreements reached on 14 and 15 May 2012 be respected, including the release of administrative detainees who were promised release at the end of their current orders;

Unrestricted access for independent physicians to all hunger strikers;

The immediate transfer of Samer Al-Barq and Hassan Safadi, as well as all other hunger strikers, to public hospitals;

That no hunger striker be shackled while hospitalized;

That all hunger strikers be allowed family visits, while they are still lucid;

That Hassan Safadi and Samer Al-Barq, along with all other administrative detainees, in addition to Ayman Sharawna and other detainees that were released as part of the prisoner exchange deal in October 2011 be immediately and unconditionally released.

September 10, 2012December 11, 2020

On Co-Resistance: Sahar Vardi and MIcha Kurz in Australia

Israeli activists, Sahar Vardi and MIcha Kurz recently completed a speaking tour of Australia. Sahar and Micha are among a growing number of young Israelis who are taking an active stand against their government’s occupation and policies of oppression against the Palestinian people.

Packed meeting to hear Vardi and Kurz
Some notes:

Kurz on Israeli politicians: ‘They are not interested in a peace resolution’.

Kurz: ‘Making up 40% of the population, Palestinian Jerusalemites are not allowed to vote’.

Vardi: ‘There’s a huge bigger picture there which has to do with foreign investment and who makes a profit out of this at the end of the line – definitely not Palestinians, but not necessarily Israeli citizens either. Israel’s biggest import today is arms, military technology – Israel can sell this stuff because it can prove it works. Israel builds the wall and they have the security systems set up, then when the US wants to build a wall between Mexico and the US it uses Israeli technology because it knows it works.’
Micha speaking
Kurz: ‘We saw G4S stickers all round Melbourne today. G4S runs the largest prison camp in the occupied territories … runs the largest private military in the world. They are active in other areas of urban warfare, in western cities everywhere. The question always has to be who is making a profit … that keeps it away from fear or anything to do with antisemitism or security, it has everything to do with global profit. What inspires me about the BDS movement is it has managed to suggest a grassroots movement where politicians have failed and has united people from the grassroots up … it’s something Israelis can support. I support the BDS movement.’

Kurz: ‘We work for justice and human rights … When I hear ‘peace’ I hear agreement between two equal parties. There are no two equal parties here. There is an Israeli occupation of Palestinian lands and people.’

Kurz: ‘I’ve given up on politicians. What it comes down to is strategically building a grassroots movements, both global and local. The global movement is growing and succeeding despite the mass media – we know not to trust them anyway. I’ve witnessed firsthand how things are succeeding.’

September 5, 2012December 11, 2020

Congratulations to the Student Representative Council of the University of the Witwatersrand

WITS SRC Resolution Don’t Play Apartheid Israel [DPAI] would like to extend our warmest congratulations to the Student Representative Council [SRC] of the University of the Witwatersrand on its unanimous principled resolution to support boycott, divestment and sanctions of Israel. This is an immense breakthrough which will immeasurably strengthen the global boycott of apartheid Israel. The resolution states that the University will “not participate in any form of cultural or academic collaboration or joint projects with Israeli institutions and will not provide support to Israeli cultural or academic institutions”.

We recognise that the SRC may come under significant pressure for its embrace of the Palestinian call for BDS, and wish to extend our support in firm solidarity. We look toward the day when Palestinian people have attained their just rights and freedom.

In solidarity,

Don’t Play Apartheid [DPAI]

Don’t Play Apartheid Israel (DPAI) is a group of over 900 members which seeks to inform musicians of the Palestinian call to boycott Israel, and the extent to which their decision to play in the apartheid state will be instrumentalized – against their will – as propaganda for the maintenance of a horrifying status quo in Israel/Palestine: that is a brutal, decades-long occupation, ongoing ethnic cleansing, continual land theft, passing of over 20 racist laws within Israel/’48, and the crackdown on human rights groups. We represent over 900 members from around the globe who believe that it is essential for musicians & other artists to heed the call of the PACBI, and join in the boycott of Israel.

South Africa’s University of the Witwatersrand (WITS) Student Representative Council (SRC) unanimously adopted a full academic and cultural boycott of Israel.

September 4, 2012December 11, 2020

Jerusalem Development Authority Implicated in Boycotted Film Funding

In the vein of its previous documentary project presenting a montage of 24 hours of life in Berlin, the German Zero One film production company has been planning a similar venture on Jerusalem.

Berlin-based Zero One Film will work alongside Palestinian producer Daoud Kuttab and newly founded Israeli prodco 24 Communications. The latter is a joint venture between Israeli prodcos Pie Films and Inosan, which worked on the original version of HBO hit In Treatment.

Medienboard Berlin Brandenburg and Jerusalem Film Fund are backing 24h Jerusalem and the producers hope to secure the remaining €400,000 (US$500,000) of its €2.4m budget at MipTV this week.

Palestinian directors have now pulled out of the project – they were unaware of the presence of the Israeli production company, nor of backing from the Jerusalem Film Fund, which is in turn funded by the Jerusalem Development Authority. Current activities of the JDA include expropriating Palestinian land in East Jerusalem for parks. The JDA received “40 million NIS in 2005 to develop green spaces around the Old City of Jerusalem”.

Designating urban space as a national park is not only easier but cheaper too, the state having no obligation to compensate owners.

The Jerusalem municipality leaves the creation of these parks to the National Planning Authority (in the Ministry of Interior), Bimkom noted, which deals more with the protection of nature and heritage than the rights of Jerusalem’s residents.
…

The disparity between the management of space for West Jerusalemites compared to their counterparts in the east is stark, with national parks notably absent from the west.

“The Palestinian residents of Jerusalem are crowded and they suffer from extreme neglect and shortage of public infrastructure,” Bimkom architect, Efrat Bar-Cohen, said in a statement.

“The residents are in desperate need of space by which they can improve their quality of life, even if slightly.”

The building of the park will have ramifications beyond the strangling of Issawiya and A-Tur residents.

It will stretch into the E1 area of the West Bank, which represents an important reserve of space for Palestinian development, creating a string of Jewish Israeli-only settlement between the Old City and Ma’ale Adumim settlement.

Elad Kandl is director of the Old City projects at the Jerusalem Development Authority, whose website describes their work as rehabilitating and conserving the Old City.

He expressed succinctly Israel’s aim of curbing Palestinian development in Jerusalem. “When you make it a national park,” he told The Jerusalem Post in reference to open space, “you keep the status quo.”

The JDA, which operates under the 1988 Jerusalem Development Authority Law, was established to further entrench Israeli control over the city and is also involved in the Jerusalem light rail project.

Indeed, the Prime Minister’s Office and the mayor of Jerusalem sponsored a JDA program to work toward this goal. On its website the JDA is very clear about the role of the Jerusalem light rail project, stating that “The investment in the light railway project was one of the government’s key strategies to empower Jerusalem as a capital.”

The JDA is also an instrumental actor in the proposed construction of 1,400 new housing units in the Gilo Jewish settlement colony, located near Bethlehem in occupied East Jerusalem.

In this light, the involvement of the JDA in the 24h Jerusalem project clearly designates the film as unacceptable normalisation with the Israeli occupation.

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) has defined normalization specifically in a Palestinian and Arab context “as the participation in any project, initiative or activity, in Palestine or internationally, that aims (implicitly or explicitly) to bring together Palestinians (and/or Arabs) and Israelis (people or institutions) without placing as its goal resistance to and exposure of the Israeli occupation and all forms of discrimination and oppression against the Palestinian people.” [2] This is the definition endorsed by the BDS National Committee (BNC).

One Palestinian participant in the 24h Jerusalem project, Enas aL-Muthaffar, made clear his objections to the film project in an open letter on August 25th. He reveals that he was not informed at all about the Israeli production partner. Nor were the Palestinian directors to be involved in the editing process.

To whom It May Concern,

When Kuttab Productions first contacted me early July, it failed to mention that Israel is part of this project, although I specifically inquired about this issue. And then again, you sent me an email on July 9th, which also failed to mention that Israel is in fact part of your film production. I only knew about Israel being a co-producer of Jerusalem 24 when I asked specific technical questions about the characters, crew and the editing phase. I was surprised to know that the selected filmmakers are only requested to film on September 6th and that we have no say in the editing phase. Then, you said: The editing phase will happen in Germany where the Palestinian and the Israeli films will be edited in one feature length documentary. This is not information that can simply be passed on in such a way!

I reject to be part of Jerusalem 24: a German/ Israeli/ Palestinian co-production for the following two main reasons:

· I respect and support Palestinian civil society campaign for Boycott, divestment and sanctions against Israel until it complies with International law and respects Palestinian rights.

· I refuse to be part of a peace propaganda machine that continues to ignore Israel’s cruel colonization of Palestine.

There is a longer list of reasons related to the current steps undertaken by Israel that aim at changing the demographic, social and cultural composition of the city of Jerusalem – to name few:

· Advocating the largest act of de-population of East Jerusalem since 1967.

· Continuing expansion of illegal settlements.

· Renewal of closure of East Jerusalem Institutions.

· Building restrictions and home demolitions.

· Revoking residency rights and denying family reunification.

· Continued illegal diggings under al-Aqsa mosque compound.

There is no way in which I can separate my art from who I am, from my life, from my duty to resist everything and anything that doesn’t acknowledge my right to exist on my land in freedom and dignity.

Regards,

Enas I. aL-Muthaffar

Enas’ stance is confirmed in an Al Akhbar piece [Google translation]:

Yesterday, I sent a group of Palestinian institutions and individuals working in the field of culture and art message to «Book of production» declare the absolute rejection of various forms of normalization with the occupier and «standing in the face of attempts to penetrate the cultural front as the line of the clash with the basic occupation, and intellectuals were and will remain the spearhead in the clash of cultures and civilizations with brute occupation force.

Haidar Eid further affirms terms of the PACBI boycott relevant to the joint film project [Google translation]:

That all meetings and projects that combine between the Palestinians and the Israelis must be placed in the proper context against the occupation and other forms of Israeli oppression of the Palestinians, and most importantly that these meetings be pro-boycott by directives issued by the National Committee of the province.

According to Amira Hass, 20 directors, including Israelis, have now pulled out of the film project in support of the cultural boycott and filming, scheduled for September 6, has been halted.

September 3, 2012December 11, 2020

Jesus and Mary Chain – Don’t Play Apartheid

Jesus & Mary Chain: Have You Heard About the Boycott?

Dear Jim Reid, William Reid, Phil King, Loz Colbert and Mark Crozer (The Jesus and Mary Chain),

We are a group of over 900 people from all over the world who are united in support of human rights, justice and freedom for the Palestinian people. Some of our members have been fans of The Jesus and Mary Chain since the 1980s. We are asking you to refrain from playing in Israel.

The recent findings of the Russell Tribunal on Palestine verify that Israel is an apartheid state. Here is an excerpt, from last November. Read the entire findings at http://bit.ly/svjpBT :

“The Tribunal finds that Israel subjects the Palestinian people to an institutionalised regime of domination amounting to apartheid as defined under international law. This discriminatory regime manifests in varying intensity and forms against different categories of Palestinians depending on their location. The Palestinians living under colonial military rule in the Occupied Palestinian Territory are subject to a particularly aggravated form of apartheid. Palestinian citizens of Israel, while entitled to vote, are not part of the Jewish nation as defined by Israeli law and are therefore excluded from the benefits of Jewish nationality and subject to systematic discrimination across the broad spectrum of recognised human rights. Irrespective of such differences, the Tribunal concludes that Israel’s rule over the Palestinian people, wherever they reside, collectively amounts to a single integrated regime of apartheid.”

Music plays a very political role in the case of Israel because of the global BDS movement. The PACBI, (Palestinian Call for the Academic and Cultural Boycott of Israel) has, since 2005, asked musicians to refrain from playing in Israel, and their call, representing Palestinian civil society, has become a global movement. Many people have already joined a new Facebook page titled: “Jesus and Mary Chain, No Reverence for Apartheid. Don’t Play Israel.”

When a band agrees to play in Israel and breaks the picket line, whether they intend to or not, they are making a political statement. In 2005 an Israeli spokesman asserted that: “We see culture as a propaganda tool of the first rank, and…do not differentiate between propaganda and culture.” [Ha’aretz, September 2005] Your performances on 18 and 19 October will place you on the side of injustice and oppression, we are asking you to stand with the oppressed instead .

Many other musicians have chosen to respect the boycott and equal rights for Palestinians, among them, Roger Waters. You might like to read Waters’ words in last year’s Guardian in “Tear down this Israeli wall”, where he says:
“This is, however, a plea to my colleagues in the music industry, and also to artists in other disciplines, to join this cultural boycott.” [1]

Please read about Israel’s apartheid in the letter that was written to French philosopher and prominent intellectual, Jacques Rancière, Professor emeritus, University Paris 8, by the PACBI. Jacques Rancière subsequently chose to cancel his planned lecture at the Minerva Humanities Center at Tel Aviv University earlier this year.[3]

This year artists Cassandra Wilson, tUnE-yArDs, The Pains of Being Pure at Heart and Cat Power have chosen to cancel their planned gigs in respect of the boycott, and stand in solidarity with the Palestinian people in their struggle for justice. Also among the growing list of artists that have cancelled concerts and events in Israel are the late Gil Scott-Heron, Elvis Costello, the Pixies, Mike Leigh, Klaxons, Gorillaz Sound System and many more.[4]

We hope that you will choose to respect the boycott.

Warm Regards,

Don’t Play Apartheid Israel (DPAI)

Notes
[1] Tear down this Israeli wall, I want the music industry to support Palestinians’ rights and oppose this inhumane barrier
http://www.guardian.co.uk/commentisfree/2011/mar/11/cultural-boycott-west-bank-wall
[2] International Star Natacha Atlas announces Israel boycott http://electronicintifada.net/blog/ali-abunimah/international-star-natacha-atlas-announces-israel-boycott
[3] (See http://www.pacbi.org/etemplate.php?id=1793)
[4] 2011 Summary of the Cultural Boycott of Israel http://www.pacbi.org/etemplate.php?id=1788

SOURCE