Natalie Imbruglia, Please Don’t Make a Big Mistake

Natalie Imbruglia, Playing Apartheid is a Big MistakeDear Natalie,

We are writing to you to ask you to please reconsider your performance in Israel, scheduled for the 1st March, 2017. We understand this will be your first appearance in Israel and would like to inform you that playing there will be in breach of the Palestinian call for artists to respect the cultural boycott of Israel until it adheres to international law and Palestinians have their civil and political rights which they are currently denied by the apartheid Israeli government. [1]

Like Aboriginal people in Australia before 1966, indigenous Palestinians who live in Israel are prevented from enjoying full citizenship in that state. Full citizenship is available only on theocratic grounds, to people who are defined as Jewish by the State. Furthermore, Palestinians in Israel are subject to more than 50 laws discriminating against them – de facto apartheid.  Palestinians who reside in the Occupied Territories of East Jerusalem, the West Bank and Gaza which Israel seized and occupied in 1967 cannot vote at all in Israeli elections. These Palestinian people subsist in segregated bantustans isolated from each other by apartheid walls and fences with their movement controlled by over 500 checkpoints, preventing them from attending universities and hospitals, and seeing friends and relatives – many families have been separated for years due to this system of apartheid. Indeed the International Court of Justice declared Israel’s apartheid wall in the Occupied Palestinian Territory illegal in 2004 – further international law that it ignores.

Palestinians persecuted by military occupation naturally wish to live freely with rights in their own ancestral lands. However, illegal Israeli settlements continually expand and encroach upon those lands, despite several United Nations Security Council (UNSC) resolutions. Most recently, on 23 December 2016, the UNSC passed another resolution unanimously against expansion of the illegal settlements, and again affirmed their illegality under international law, yet Israel refuses to recognise these resolutions.  Israel has now declared de facto war on the resolution’s sponsors, including New Zealand [2] and also intends to withhold UN dues [3]. Since the resolution Israel has accelerated its demolition of Palestinian homes to four times its 2016 weekly average, making hundreds of people homeless.

Nearly 800,000 Jewish people now reside illegally on Palestinian lands, enjoying full political rights while Palestinians languish, brutalised by military occupation and without rights. Palestinian refugees driven out in the 1948 Nakba from the areas which Israel claimed comprise the second largest refugee population in the world and again, despite the requirements of international law, Israel refuses to permit these Indigenous people to return to their homes. In many countries Palestinians are stateless, living in squalid refugee camps for decades, never giving up hope that their right of return will be realised and they can return to their Indigenous home and heritage which has been usurped and colonised.

Zionist colonisation of Palestine follows a similar trajectory to British colonisation of Australia, where Indigenous Australians were forced into isolating missions and reserves, slaughtered and dispossessed of their land and culture, while Palestinians too are subjected to extreme violence and forced into refugee camps and bantustans  We understand you have experienced the end results of these genocidal colonial crimes during your participation in the First Contact SBS programme and are sympathetic to the plight of Aboriginal people in Australia consequent to white colonisation. We ask you to consider also the distressing situation for Palestinian people and the importance of support for their struggle for liberation and justice. Because the international political community has refused to act to support their rights, Palestinians called in 2005 for cultural boycott and asked people of conscience like yourself for solidarity with their movement by refraining from performing in Israel.

By respecting their call, you will also be supporting the women of Gaza who suffer from breast cancer, another area where you have shown empathy. Israel prevents breast cancer sufferers, and indeed most cancer sufferers from obtaining appropriate treatment, due to its collective punishment of two million civilians which it has incarcerated in the largest prison in the world – Gaza – since 2006.

Dozens of female cancer patients in the Gaza Strip have launched a protest against Israel’s refusal to allow them to cross into Israel to seek medical treatments in hospitals in Israel, East Jerusalem and the West Bank. The women say the ban or delay of their treatments is a “premeditated death sentence.” [4]

Due to Israel’s military attacks on Gaza and its illegal, immoral siege which prevents the import of fuel supply and parts, sickness is common there since the water supply is contaminated by dysfunctional sewerage treatment plants and electricity supply is currently down to a mere four hours per day [5]. Physicians for Human Rights comments on Israel’s deprivation of medical equipment:

There are no syringes, no bandages and no tubes. When one of our surgeons asks for a specific scalpel or bandage during surgery he’s told that there aren’t any available. When we train a local doctor and teach him techniques and procedures he has nothing to work with.” [Ibid.]

The UN has estimated that without major reconstruction, Gaza will be uninhabitable by 2020. [Ibid.] Should you play your concert in Israel, be aware that this crime against humanity is being perpetrated just miles from you.

Certainly, Israel will continue to carry out its injustices against the Palestinian people if we are silent and do not act. We implore you to recognise your performance in Israel cannot create bridges over apartheid, oppression and suffering, merely obscure it so Israel can continue to pretend that its crimes are “normal” and blame Palestinians for their own plight. This is clearly not the case any more than the myth proliferated by white supremacists that Aboriginal people in Australia are responsible for their own immiseration.

The reality is that for Israel any show that isn’t cancelled because of boycott appeals is considered a political victory over the Palestinian struggle and international solidarity with it. Performing in Tel Aviv means playing for a segregated audience, on ethnically cleansed land. We really hope you can’t see yourself doing this and you join Lauryn Hill, Cassandra Wilson, Sinead O’Connor, Cat Power, Massive Attack and thousands of other artists who have refused to play in Israel – in Ireland over 540 artists have pledged to boycott the state, as have over 1,190 in the UK, and many more all over the world.

Please respect the Palestinian call to boycott Israel – you can make a real difference here and help tip the moral scales toward justice.

DPAI

We are a group, of over 2000 members from many nations around the globe, who believe that it is essential for musicians & other artists to heed the call of the PACBI, and join in the boycott of Israel. This is essential in order to work towards justice for the Palestinian people under occupation, and also in refugee camps and in the diaspora throughout the world.

Palestine Support Network Australia (PSNA)
Australian Friends of Palestine Association (AFOPA)
Australian Boycott, Divestments and Sanctions Campaign for Palestine (BDS)
Coalition for Justice and Peace in Palestine (CJPP)
Sydney Staff for BDS
The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI)

Samah Sabawi, Palestinian Australian playwright and Al Shabaka policy adviser
Kollaps, Melbourne band
Candy Royalle, Writer, Performer, Activist, Educator
Amy McQuire, Indigenous Writer
Penelope Swales, Musician
Sara Dowse, Writer
Trish Nacey, Videographer and Musician
Walbira Murray, Indigenous Research Officer
Ken Canning, Indigenous Playwright
Jeff Sparrow, Writer, Editor and Broadcaster
Marcelo Svirsky, Writer

Notes:

  1. https://bdsmovement.net/pacbi/cultural-boycott-guidelines
  2. https://electronicintifada.net/blogs/ali-abunimah/why-israel-should-fear-new-zealand
  3. http://www.aljazeera.com/news/2017/01/israel-halts-6m-protest-unsc-settlements-vote-170106205417524.html
  4. http://www.haaretz.com/israel-news/.premium-1.763355
  5. http://www.haaretz.com/israel-news/.premium-1.763280

How to Grow a Garden – World Poetry Day 2016

It’s not that one has been forced to silence, rather that words have tumbled elsewhere than this blog for a while. Here’s a good excuse to restart this blog – commenting on the imprisonment of Palestinian poet, Ashraf Fayadh, jailed for “apostasy” for eight years and 800 lashes, his beheading sentence commuted by the vicious, tyrannical Saudi oilagarchy, best mates of the US empire and Israel, connivers in the oppression of the region and in particular, occupied Palestinians.

How to Grow a Garden

Mulch the Saudi princes,
jumped up hereditary popinjays
presiding over the ineffable infinite
as if they know it all by divine right
and can take it with them.
May the Saudi princes,
enemies of poets and truth
be deposed and decomposed,
words choking their greedy mouths.

Jinjirrie, March 2014

From Ashraf’s latest poem, written since he was jailed.

“I saw my father for the last time through thick glass,
then he departed, for good.
Because of me, let’s say.
Let us say because he could not bear the thought
I’d die before him.
My father died and left death besieging me
without it frightening me sufficiently.
Why does death scare us to death?
My father departed after a long time
spent on the surface of this planet.
I didn’t say farewell as I should have
nor grieve for him as I should have
and was incapable of tears,
as is my habit, which grows uglier as time passes.

The soldiers besiege me from all fronts
in their uniforms of poor color,
laws and regimes and statutes besiege me.
Sovereignty besieges me;
its highly concentrated instinct
cannot be shaken by living creatures.
My loneliness besieges me,
my loneliness suffocates me,
I am choked by depression, nervousness, and worry,
remorse, that I’m a member of the human race,
kills me.”

………………………………………..

For Fayadh from Gaza, Haidar Eid performs “Thirsty for Freedom,” adapted from a poem by the late legendary Egyptian poet Ahmed Fouad Negm.

………………………………………..

‘There are two ways opposite to each other, one leading to the house of freedom, the other to the house of slavery. Lead the people on the road that goes through courage and harmony; avoid that which leads through strife and ruin.’

Delphic Oracle (circa 7-9C BC)

………………………………………..

How many couplets do you recognise?

How many of these poets were oppressed for their visions and lived in squalid unhappiness?

Don’t wait till they are dead or imprisoned, treasure your local poets today!

………………………………………

Ali Abunimah On Gaza and BDS, 1 Year After Israel’s Last Massacre

At present, Ali Abunimah is in France, speaking in Paris, Bordeaux, Montpellier and Lyon, marking 10 years since the advent of the 2005 BDS call and “the first anniversary of the beginning of Israel’s 51-day assault on Gaza that killed more than 2,200 people and devastated the territory”.

Ali Abunimah speaks on why there has been no reconstruction in Gaza, about the total impunity Israel enjoys, highlighting that there are no consequences for Israel’s continued blockade because of almost no pressure from outside world.

Here’s some points which Ali made in the interview.

“It’s very easy to criticise the inmates of a prison for their behaviour within the cell.”

“As there has been no reconstruction, many Palestinians have died in the Mediterranean trying to flee the devastation in Gaza.”

“Israel with total impunity continues to take land, build illegal settlements.”

“Palestinians have a right to resist military occupation, whether they are from Hamas or other as the French resisted in World War 2, as others have resisted, Palestinians have a right to resist.”

“People say “you should not launch rockets” …the point is that particularly Europe, is treating Palestinian resistance as if it’s illegal.”

“The point I’m making is that when you talk about a people living under occupation as ‘terrorists’, and you greet the occupiers, the oppressors, at the Elysees Palace or in Buckingham Palace, you are sending a moral message that occupation and apartheid is OK.”

“I don’t recognise that any state, whether it’s Israel or France or a future Palestine, has a right to discriminate against people based on their religion or ethnicity, so I don’t recognise any legitimate Israeli claim Israel has a right to exist as a Jewish state because that is by definition discriminatory against Palestinians.”

“The reason Israel is talking about the boycott, divestment and sanctions movement as a strategic threat is because Israel recognises that the movement pushing for equality, for a fundamental change, is going mainstream.”

Video first posted at Electronic Intifada

From Archbishop Desmond Tutu to Australian Friends of Palestine

Archbishop Desmond Tutu
Archbishop Desmond Tutu
“Dear Friends of Palestine in Australia

The people of the world have been shocked and horrified at the recent brutal and disproportionate assault on the people of Gaza. Over 2000 people have died, hundreds of them children. The infrastructure of Gaza, already greatly damaged in previous similar attacks, is now completely degraded, with basics such as water and electricity denied to the vast majority of the population. Thousands are without shelter and medicines and 80% of the population are dependent on UN assistance.

The world waits while representatives of Israel and the Palestinians negotiate a ceasefire and we hope that there will be peace. But peace will not come until the illegal occupation of the Palestinians ends. It will not come to Gaza until Israel and Egypt lift the 8 year siege that has crippled the Gazan economy and squeezed the population, creating enormous hardships for the people there.

Decades of reliance on diplomacy to deliver a just outcome in Palestine have come to nothing. But a new hope lies in the ordinary citizens of the world. This is the worldwide non-violent movement known as the Boycott, Divestment and Sanctions movement, or “BDS”. This movement carries the hope of millions of ordinary people who are turning the tide through economic pressure to force Israel to end its occupation of the Palestinians and participate in a just resolution to the conflict between these two peoples who deserve peace.

Many of you in Australia are part of the BDS movement. You are seen every week in different cities and towns talking to other Australians about BDS and informing them about the injustices suffered by the Palestinians. Many others of you participate individually by choosing not to buy Israeli products or the products of companies that support Israel in its illegal occupation of Palestine. Others of you refuse to buy tickets to the Israeli Film Festival, or boycott Israeli academics who come from Israeli Universities that support Israel’s policies of occupation.

Protest outside the Israeli Film Festival, Brisbane
Protest outside the Israeli Film Festival, at the Palace Centro Cinema Brisbane, August 22, 2014. Riot police stood 1 metre in front of demonstrators.

This is the power of BDS.

We in South Africa, who know about oppression and occupation and who know about the power of BDS, salute the Australian BDS movement and we join with you in calling for Israel to end the Occupation; to end the siege of Gaza. We join with you in calling on the Australian Government to demand that the occupation of the West Bank ends; for Israel to stop the illegal Israeli settlements in the West Bank; for the siege of Gaza to be permanently lifted.

We in South Africa join with you and we shout “Free Free Palestine!”

God bless you.

Archbishop Emeritus Desmond Tutu (Cape Town – South Africa)”

Sonia Montez – Climbing Fences : The Occupation Song

New York-based singer, songwriter and guitarist, Sonia Montez, expressed her support last year for boycott, divestment and sanctions of apartheid Israel.

Her new song “Climbing Fences : The Occupation Song” is written in solidarity with the Palestinian people and all folks living under occupation, including in Ferguson, Missouri.

Sonia says:

“As a musician/activist, the worlds in which I live are often separated from each other. We are trained in entertainment to not mix in politics because it may alienate a potential audience.

I abhor this idea and always have. From pop culture icons like Roger Waters to John and Yoko, to the great jazz artists of the 40’s and 50’s, politics has been crucial to the evolution of art and culture. It is in this spirit that I release this free demo, rough, faltered, honest, and filled with all of the emotional rage I and many others have felt over the brutalization of our human brothers and sisters.

Download it, share it, cover it, use it, remix it, tweet it, boast it from every speaker in every city. Make these words of solidarity count, we will not close our eyes, we will not be silent, we will witness and the world will know. Let the message ring loud, FROM #FERGUSON TO #PALESTINE: #OCCUPATION IS A CRIME!”

Lyrics:

Sonia MontezClimbing Fences : The Occupation Song

Dead night
Fire in the sky
Stars are running shy
Ground bleeds in streams for you

Early little love child
Bore the burden of the hate squad
Someone watched as innocence left your eye
Climbing fences that tear you apart

How golden is our silence now?

When they come in the middle of dead night
When there’s nothing but fire in the darkened sky
Stars run shy from the bullet fight
How the ground bleeds in streams of pain for you

“Listen pretty sister
I got boys with toys to paint you red
I got silence now”

When they come in the middle of dead night
When there’s nothing but fire in the darkened sky
Stars run shy from the bullet fight
How the ground bleeds in streams of pain for you

You bleed as the world closes blinds
You scream as the pressure holds you tight
In this cage, you can’t breathe
When all you need to be is free

When they come in the middle of dead night
When there’s nothing but fire in the darkened sky
Stars run shy from the bullet fight
How the ground bleeds in streams of pain for you