Invasion Day 2018

Settler Colonialism

False Muse

what is this verbose cotton wool
but suffocation of truth?
sentinel poet effuses verse
for privileged settlers
descant to daily injustices
chorused in white racist media
relentless revisions of theft and denial
endless rights and return betrayal
triumphalism of patriarchal curses
veiled advice to contaminate resistance
normalise collaboration
embrace post-colonial defeat
tender submission to ongoing genocide
for security of invaders
boot must sink in hard
negative peace sucks the bones
such brave generous poetry
healing to conqueror spirit
a noxious complicity with drones
rubbing noses of oppressed
in the misery of their predicament
with hubris of beauty and art
escaped red lines revealed
in anodyne alliterations
and poetic capitulations

January 26, 2018

Invasion Day

Invasion
Invasio
Invasi
Invas
Inva
Inv
In
I

January 26, 2018

Related Links

“The new campaign to deny the Aboriginal genocide, led by Quadrant, was taken up in the Australian mass media by a chorus of right wing columnists with records of antagonism to Aborigines and “leftist” supporters, and easy access to a wide public.”

In Genocide and Resistance in Southeast Asia by Ben Kiernan.

‘Even within the realm of literature, political writers and readers knew that their enemies were active. In 1956, Richard Krygier, head of the local arm of the Congress for Cultural Freedom, established Quadrant, explicitly intended, as he put it, as ‘a counterweight to the kind of leftism so evident in Meanjin.’ The founders of Quadrant liaised about their project with ASIO and Prime Minister Robert Menzies; their funding came primarily from the the Congress for Cultural Freedom.

Yes, that’s right – Quadrant, that scourge of tax-payer funded arts organisations, owes its existence to money secretly siphoned from American taxpayers courtesy of the CIA.’

https://overland.org.au/2014/06/overland-and-the-cia/

‘ After a series of exposes and repudiations of the CIA connection, in 1967 McAuley published a careful response in Quadrant admitting the funding from the CIA was ‘deplorable’, but no more than ‘a well-intentioned blunder’. His defence that he had been an unwitting recipient of CIA largesse has been restated by the new editor of Quadrant and by its previous editors. Yet how was McAuley so unaware when Clem Christesen knew the money came from the CIA as far back as 1956? How was it that the editor of Quadrant had shown so little curiosity as to the source of money being so liberally handed out? A quick perusal of McAuley’s editorials give the flavour of the invective he would employ should the editor of a left-wing magazine discover he had ‘unwittingly’ been receiving 40% of his income from the KGB.’

http://jacketmagazine.com/12/pybus-quad.html

‘THE conservative magazine Quadrant has accused the Australia Council of political bias after its annual grant for next year was cut by 30 per cent, from $50,000 to $35,000.

Quadrant’s editor, the historian Keith Windschuttle, a key protagonist in the history wars who denies that the removal of Aboriginal children from their families was racist or deliberate policy, has written to subscribers saying the decision by the council’s literature board was ”patently political”.’

http://www.smh.com.au/national/quadrant-cites-political-bias-for-15000-funding-cut-20091221-la2e.html

‘The troubles Quadders has with Ozco funding might suggest that they would have an easier time returning to the CIA as their main funding source. But wait – in Cassadnra Pybus’s The Devil and James McAuley, we learn that the Congress for Cultural Freedom (the irony-free CIA front set up to pay for magazines like Encounter and Quadrant) repeatedly warned the magazine’s early editors that it was too politically strident, and not publishing enough of genuine cultural worth.

Got that? Even the CIA thought Quadrant didn’t publish enough good poetry.’

https://www.crikey.com.au/2009/12/21/rundle-windschuttle-screams-blue-murder-over-quadrant-funding-cut/

Natalie Imbruglia Cancels Her Gig in Apartheid Israel

Natalie Imbruglia cancels IsraelAfter a solid campaign by concerned groups and Indigenous people, Natalie Imbruglia has cancelled her gig in Israel which was scheduled for March 1, 2017. The campaign was co-ordinated by Don’t Play Apartheid Israel with an accompanying Facebook page.

Natalie’s decision to refrain from playing in Israel is much appreciated, following the passing of a criminal “law” by Israel’s Knesset retrospectively “legalizing” theft of private Palestinian lands for illegal Jewish-only settlements. Recently, in concert with renewed bombing, Israel prevented anaesthetic gas from reaching Gaza, yet after international pressure, one shipment of anaesthetic was permitted before Israel slammed the Gaza prison gates shut for all imports and exports. Gaza’s civilian population has lived under brutal siege by Israel since 2006. Of 2 million Gazan civilians persecuted by Israel’s military Occupation, over half are children.

Gig cancelled http://www.songkick.com/artists/66427-natalie-imbruglia

Let’s hope Australian band Pond, UK-based Nick Cave and the Bad Seeds, Fat Boy Slim and Radiohead similarly revise their tour plans to exclude the apartheid state of Israel and respect the principled Palestinian-led boycott, divestment and sanctions campaign (BDS).

SUPPORT THE CULTURAL BOYCOTT OF ISRAEL

Sign the petition to persuade Radiohead to respect the boycott.

Contact Radiohead
On Facebook: https://www.facebook.com/radiohead
On Twitter: http://twitter.com/Radiohead

Contact Pond
On Facebook: https://www.facebook.com/pondling
On Twitter: http://twitter.com/Pondband

Contact Nick Cave and the Bad Seeds
On Facebook: https://www.facebook.com/nickcaveandthebadseeds
On Twitter: http://twitter.com/nickcave

Contact Fat Boy Slim
On Facebook: https://www.facebook.com/fatboyslim
On Twitter: http://twitter.com/FatboySlim

UPDATE

In the JPost (12 February, 2017), event organisers are quoted saying Natalie cancelled because of “logistic constraints”, that she apologises and will reschedule.

Nevertheless, “Concert producers said refunds would be given to all ticket holders” and thus a reschedule is not expected in the near future.

The Israeli promoters of Natalie Imbruglia are said to claim, but not Natalie Imbruglia herself (who removed apartheid Israel from her tour without any comment on it being cancelled):
“Imbruglia apologized for disappointing her fans in Israel and vowed to schedule a show in country at a future date.”

No new concert in Israel appears on Natalie’s tour program or the promoter’s events.

3A Productions 2017 events

For updates see DPAI Page:
“Natalie Imbruglia, Playing Apartheid is a Big Mistake”

Clearly, by claiming the concert will be rescheduled the promoters facilitate the Israeli anti-BDS propaganda. This tactic has been used rather frequently. For example, when Pharrell Williams cancelled his July 2016 gig due to “scheduling problems”, it was claimed falsely by JPost he would reschedule.

Similarly, the JPost published in August 2014:
“American pop singer Lana Del Rey announced on Friday that her Tel Aviv concert scheduled for August 20 has been pushed back to another date due to the ongoing crisis in the south.”
“Those who purchased tickets for the concert will be notified of an alternate date. Organizers for the show said that the original tickets will be honored.”

However, two and half years later Lana Del Rey has not rescheduled.

For updates see DPAI Page:
Lana Del Rey, Don’t Endorse Apartheid Israel’s Violence

At Walla (Hebrew), “industry sources” allegedly are blaming poor ticket sales for Natalie’s cancellation. “Industry sources” also claimed Pharrell Williams’ concert was cancelled due to low ticket sales. Are “low ticket sales” yet another repeat excuse deployed to disguise cancellations made by musicians who decide to refrain from crossing the boycott picket line?

FURTHER UPDATE

The promoters, 3A Productions, are now claimingshe just couldn’t make it” and “she is busy, really busy“, not low ticket sales, for Natalie’s cancellation.

UPDATE – PALESTINIANS THANK NATALIE

Palestinian artists, cultural organizations and human rights supporters welcome the Australian-British singer Natalie Imbruglia’s cancellation of her March performance in Tel Aviv.

Circus of Champions

Hey look over there!
the shock jocks screech
roll up, roll up, punters
at today’s imperial circuses
Cecil the lion is sacrificed
on millions of web pages
may the dentist be devoured!
all together, outrage!
(slash the minimum wage
there’s a TTIP to push through
rotten Bouffant Bronwyn’s
helicoptering soon forgotten
no need for scrutiny by you).

I stand with Adam Goodes
and cheer his imaginary spear
in the arena of discontent
where all the rules are bent
a lawyer sneers at racist masses
in Murderdoch’s business rag
the ruling class has free passes.

Same time tomorrow, folks –
delectably unethical
the news cycle will supply
another glorious spectacle.

July 2015

Related Links

The New Imperialism of Globalized Monopoly-Finance Capital
Fascist Ideology of the Self: Mailer, Rubin and Hoffman
The “lawyer article” referred to in the poem.

Invasion Day 2015

Australian Settler Coat of Arms

Acknowledging white settler supremacist destruction of Indigenous people and habitat. It is telling that the white settler Abbott rewards Prince Phillip when there are millions of Australians who deserve an award before him. What has Prince Phillip ever done for Australians except cost us money?