‘Tibi showed the Forward a clip from his speech at this year’s Palestinian Martyrs Day rally, on January 7, where he named people he considers “martyrs,” all of whom were civilians killed by Israel and none of whom perpetrated attacks. By editing last year’s clip to give a different message, Palestinian Media Watch “tried to violate and mislead,” he said.’

Tibi’s satirical poem about MK Anastasia Michaeli’s throwing a cup of water over him during a Knesset sitting also annoys the linguistically challenged Knesset Ethics Committee which bans him from the Knesset for a week for his literary prowess. Who says poems don’t bite and sting in all the right places?

‘The issue in this case was his reading of an allegedly offensive poem from the Knesset podium aimed at Anastasia Michaeli, a lawmaker from Yisrael Beteinu. On January 9, Michaeli, herself a sometime practitioner of politics by provocation, threw a cupful of water into the face of Arab lawmaker Ghaleb Majadle, of the Labor party, after Majadle called her a “fascist” during a Knesset debate. Michaeli was banished from all parliamentary proceedings for one month as punishment for her misconduct.

In his poem responding to Michaeli, Tibi said the Yisrael Beiteinu member had “a problem with her plumbing” and used the Hebrew term “cos amok,” or “cup of frenzy” to describe her act.

The Knesset’s Ethics Committee took this phrase as an innuendo, as it sounds like an Arabic curse that refers to female genitalia, and imposed its ban. Tibi denies any innuendo. “Worse than its stupidity is it not knowing Hebrew,” he said of the committee. ‘

And now, the poem:

“Anastasia, / Who has a problem with her plumbing, / Grew in the dung beds of our home Israel — or shall I say, Russia? / From there it was a short way to the Law of the Muezzin, / Which meanwhile has been / Turned into a joint Bibi [pronounced by Tibi bibey]-Anastasia project, / A thoughtless use of water in time of drought / When every drop counts. / Israel is drying out / But is not ashamed. / Anastasia ran amok and poured / Water on a colleague. / And so I’ll call a spade a spade, / That is, a cup of frenzy.”

That may not make a whole lot of sense to you, much less seem a literary gem — but that’s only because you don’t have the original before you. How many delicate little touches you would notice if you did! The rhyme of “Anastasia” and instalatsia (“plumbing”), for example; or the play on arugot ha-bosem, “spice beds,” from the Song of Songs (“My beloved has gone down into his garden, unto the beds of spices”) and arugot ha-zevel, “dung beds”; or the pun on “Bibi” and bivey, “sewers”; or the inversion of mityabeshet, “is drying out,” and mitbayeshet, “is ashamed.”

Kudos to MK Tibi for his dry wit!

I’m reminded of Henry Lawson and his immortal lines on Australian wowserism:

O this is the Wowsers’ land,
And the laughing days are o’er,
For most of the things that we used to do
We must not do any more!

The power of literature is demonstrated again in Israel recently.

Israeli fascist organisation Im Tirtzu attempts to have Palestinian actor banned from performing in a Lorca play. Fascists are frightened of intellectuals, classically their prime targets. The intellect might restrain the fascist drive for power.

Palestine / Israel Links

IOF soldiers arrest seven Gazans in January including three minors
The Israeli Attorney General attempts to quash Adalah’s petition to annul the racist Admissions Committee Law. “The law, passed by the Knesset in March 2011, allows small communities in Israel built on ‘state land’ (public land) to reject applicants who “do not suit the lifestyle and social fabric of the community.”‘
Anwar revealed as an imperialist friendly zionist stooge committed to Israel’s dupicitous ‘security’ hasbara, the cover it uses to justify its land theft and occupation

Other Links

Saying No to CSIS: Dozens of groups launch campaign to not co-operate with Canadian spy agency
No, @WilliamJHague you can’t weasel out of the British Empire’s responsibility for its nepotism & imperialism in the ME

You may have heard about the growing movement of people who stand in solidarity with Palestinians and their struggle for human rights. You may have heard of Boycott, Divest and Sanctions against Israel (BDS). This is a people’s movement, and a growing number of musicians are choosing to be a part of BDS.

In 2006, the majority of Palestinian civil society united to ask artists like you to respect their call for a cultural boycott of Israel. [1] We are confident that, seeing the facts of Israel’s crimes against humanity of apartheid and colonialism, you will decide to refrain from playing in Israel until justice is delivered to the oppressed Palestinian people.

This grassroots global people’s movement is the only foreseeable way to end Israel’s crimes. The United Nations, despite numerous resolutions against Israel’s crimes against the Palestinian people, has not ensured that Israel is forced to comply with international law.

Archbishop Desmond Tutu of South Africa said

“International Boycotts, Divestment and Sanctions against the Apartheid regime, combined with the mass struggle inside South Africa, led to our victory … Just as we said during apartheid that it was inappropriate for international artists to perform in South Africa in a society founded on discriminatory laws and racial exclusivity, so it would be wrong … to perform in Israel.”

Roger Waters, founder of Pink Floyd, emphasised

“Where governments refuse to act people must, with whatever peaceful means are at their disposal. For me this means declaring an intention to stand in solidarity, not only with the people of Palestine but also with the many thousands of Israelis who disagree with their government’s policies, by joining the campaign of Boycott, Divestment, and Sanctions against Israel. This is [however] a plea to my colleagues in the music industry, and also to artists in other disciplines, to join this cultural boycott. Artists were right to refuse to play in South Africa’s Sun City resort until apartheid fell and white people and black people enjoyed equal rights. And we are right to refuse to play in Israel.”

Playing in Israel today, in violation of the boycott call, sends two messages:

1. The artist has chosen to ignore the Palestinian people’s call for solidarity through BDS.
2. The musician is aware of and accepts that the Israeli Ministry of Culture will endeavor to use an artist’s name to legitimize and promote the current oppressive, racist, apartheid government through social media like Twitter[2], through press releases, and via the CCFP. [3]

Nissim Ben-Sheetrit, former deputy director general of the Israeli foreign ministry, stated “We are seeing culture as a hasbara [propaganda] tool of the first rank, and I do not differentiate between hasbara and culture.” [4]

We hope you will refrain from playing in Israel, playing Tel Aviv has been compared to playing in Sun City during South African apartheid. A musician does not need to play in Israel in order to “see” the human rights violations that are going on there.

Cat Power, this is your opportunity to be a part of a people’s movement and to choose to stand NOT with Israeli crimes against humanity, but with a movement that Belgium filmmaker Chris den Hond calls one of the “most prominent international grassroots movements against the Israeli policy of occupation and colonization of historic Palestine.” [5]

Over 11 million people are oppressed by Israel’s violations of human rights against non-Jews. Howard Zinn referred to both American “western expansion” and Israel’s occupation of land as “ethnic cleansing.” [6] People were and still are forced from their homes, and made into refugees. Gaza was made into a crowded, Israeli-controlled open-air jail. The West Bank is surrounded by an apartheid wall and sprinkled with over 500 roadblocks and checkpoints. [7]

While Israel presents itself as a democracy, in fact it is a democracy only for Jews, whilst indigenous Palestinians, most particularly in the Occupied Territories, are treated as less than human. Palestinians, lesser citizens within Israel itself, are discriminated against by 43 laws privileging Jews at their expense.[8]

Please cancel your concert, do it for Shabrawi and Ezz ad-Deen, the two Palestinian children whose story was recently featured in The Guardian [9]. These two boys lived through solitary confinement, interrogation, shackling of hands and feet, verbal abuse (“You’re a dog, a son of a whore” – is common), sleep deprivation, and threats against their families.

We hope you’ll choose not to play in Israel while so many children are suffering just miles away from Tel Aviv.

Peace,
DPAI

We are a group, of over 830 members, representing many nations around the globe, who believe that it is essential for musicians & other artists to heed the call of the PACBI, and join in the boycott of Israel. This is essential in order to work towards justice for the Palestinian people under occupation, and also in refugee camps and in the diaspora throughout the world.

Notes:

[1] PACBI Guidelines for the International Cultural Boycott of Israel www.pacbi.org/etemplate.php?id=1047
[2] Punk Rocker’s “Simple Plan” part of Israel’s Apartheid Plan refrainplayingisrael.posterous.com/punk-rockers-simple-plan-part-of-israels-apar
[3] Creative Community for Peace and Apartheid www.artistsagainstapartheid.org/?p=1835
[4]About face http://www.haaretz.com/misc/article-print-page/about-face-1.170267
[5] BDS boycott divestment sanctions against Israel by Chris den Hond http://youtu.be/utn7qOQyvfA
[6] Howard Zinn on Palestine blog.endtheoccupation.org/2010/01/howard-zinn-on-palestine-advance-of.html
[7] MOVEMENT AND ACCESS IN THE WEST BANK by UNITED NATIONS Office for the Coordination of Humanitarian Affairs occupied Palestinian territory
unispal.un.org/UNISPAL.NSF/0/8F5CBCD2F464B6B18525791800541DA6
[8] Haneen Zoabi at the Russell Tribunal Cape Town: ‘We need equality’ www.kadaitcha.com/2012/01/09/haneen-zoabis-presentation-at-the-russell-tribunal-cape-town/

SOURCE

JOIN Cat Power, Please Respect the Boycott of Apartheid Israel
[9]The Palestinian Children – Alone and bewildered – in Israel’s Al Jalame jail www.guardian.co.uk/world/2012/jan/22/palestinian-children-detained-jail-israel

Merrill Garbus is a signatory of the 500 Artists Against Israeli Apartheid letter published in February 2010, so it’s fair to think the cancellation indeed was political.

Montreal artists are now joining this international campaign to concretely protest the Israeli state’s ongoing denial of the inalienable rights of Palestinian refugees to return to their homes and properties, as stipulated in and protected by international law, as well as Israel’s ongoing occupation and colonization of the West Bank (including Jerusalem) and Gaza, which also constitutes a violation of international law and multiple United Nations resolutions.

Palestinian citizens face an entrenched system of racial discrimination and segregation, resembling the defeated apartheid system in South Africa. A matrix of Israeli-only roads, electrified fences, and over 500 military checkpoints and roadblocks erase freedom of movement for Palestinians. Israel’s apartheid wall, which was condemned by the International Court of Justice in 2004, cuts through Palestinian lands, further annexing Palestinian territory and surrounding Palestinian communities with electrified barbed wire fences and a concrete barrier soaring eight meters high.

Gaza remains under siege. Israel continues to impose collective punishment on the 1.5 million Palestinians of Gaza, who still face chronic shortages of electricity, fuel, food and basic necessities as the campaign of military violence executed by the apartheid state of Israel endures. UN officials recently observed that the “situation has deteriorated into a full-fledged emergency because of the cut-off of vital supplies for Palestinians.” As a result of Israeli actions, Gaza has become a giant prison.

The global movement against Israeli apartheid, supported by a large majority of Palestinian civil society, is not targeted at individual Israelis but at Israeli institutions that are complicit in maintaining the multi-tiered Israeli system of oppression against the Palestinian people.

In fact, the Palestinian civil society BDS call, launched by over 170 Palestinian organisations in 2005, explicitly appeals to conscientious Israelis, urging them to support international efforts to bring about Israel’s compliance with international law and fundamental human rights, essential elements for a justice-based peace in the region. The present appeal is also rooted in an active engagement with many progressive Israeli artists and activists who are working on a daily basis for peace and justice while supporting the growing global movement in opposition to Israeli apartheid.

Israel uses all culture as propaganda to obscure and solidify its oppression – its use of music and musicians is no exception. A ubiquitous catchcry of Israel’s hasbara diplomats, many of whom are now paid for their efforts, is “Music should cross borders, not create them”. Yet in breaking the boycott, musicians undermine the peaceful tactic which Palestinian people have chosen to struggle for their rights. Musicians who respect the boycott conscientiously choose to support non-violent resistance to terrible injustice.

Israeli apartheid creates borders which no music can cross.

Related Links

PACBI
BDS Movement
tUnE-yArDs on Twitter
tUnE-yArDs on Facebook
Musicians sign up to back Occupy :

Rapper Talib Kweli rubs shoulders with British saxophonist Evan Parker, and the bassheads at Glitch Mob stand next to the Flaming Lips’ Kliph Scurlock. Alongside septuagenarians such as Roy Harper and Frederic Rzewski, there is Tune-Yards’ Merrill Garbus.

Tel Aviv is the world’s gayest apartheid travel destination

Israelis in Jerusalem answer the question “Where ya from?” Spot the zionist white supremacists.

According to Addammeer:

Islam Dar Ayyoub was arrested in the early hours of 23 January, when the Israeli forces entered his house at 2 a.m., asking for him. He had already been arrested earlier that month and held for several hours at Halamish settlement before being released. The family’s house had also been targeted twice that month for ‘mapping’ by the Israeli forces: an operation in which soldiers enter the house in the middle of the night, wake up its inhabitants and take photographs and ID numbers of all the men and children living there.
…

Whilst under interrogation at the police station Islam was threatened with electric shock treatment or attacks by dogs. His lawyer appeared at the police station but the Head of Interrogation of Judea and Samaria gave the order not to give him access as, according to him, Islam was beginning to admit to accusations and incriminate others, and the lawyer’s presence may ‘compromise the interrogation’. During his interrogation Islam was not informed of his right to remain silent nor of his right to seek legal counsel. It was only after approximately five hours of interrogation that he was allowed to see his lawyer who was waiting outside. By this time, he had already signed a statement in Hebrew on the understanding that if he did so his family would come and collect him and take him home. The statement, which he did not understand, incriminated Bassem and Naji Tamimi, two of the key protest organizers from Nabi Saleh. After signing the statement iron handcuffs were applied to him and he was taken by military car to Ofer detention center. After spending 3 days at Ofer, Islam was brought before a Military Judge

Palestine / Israel Links

Israeli ‘scholar’ incites genocide of Bedouins
The EU notices Israel’s genocidal policies in Area C and “harshly criticizes Israel’s policies in the West Bank, claiming they have caused the Palestinian population in Area C to shrink significantly and recede into enclaves.”
EU on verge of abandoning hope for a viable Palestinian state
Israel’s racist, fascist Citizenship law stands
The fascist Israeli occupation at its dirty work again: ‘Abu Warda is currently being held in Israeli detention after he was arrested on Dec. 28, 2011. The journalist is being held without charge and has not been allowed to speak with a lawyer’.
First steps to fascism are quiet’ – Israeli activists against Boycott Law

Apartheid within Israel

Jazi Abu Kaf talks about the crime of persecution in regards to Israel’s actions towards the Bedouins in the Naqab (Negev) desert during the 3rd International Session of the Russell Tribunal on Palestine in Cape Town, November 2011.

Palestine / Israel Links

3-year-old arrested, leftist writer interrogated — another day in the “Jewish and democratic” state
The latest version of Israel’s propaganda kit.
As with apartheid South Africa, Israel purifies its sins through others
Israeli students organisation is paid by the Israeli government and @avimayer Jewish Agency to do state propaganda with a ‘pretty face’ – great expose

Other Links

This is a fabulous link – cool water to a parched mouth. : A powerful year of online media by and for Indigenous Peoples
‘Decolonization is a dramatic reimagining of relationships with land, people and the state.’

Dear Youn Sun Nah,

The Red Sea Jazz Festival is a festival that is sponsored and promoted by the government of Israel. The festival is a part of the effort to normalize apartheid and talented Jazz musicians are being used to cover up Israel’s crimes. Your presence at such a festival sends the message that there is nothing wrong with the injustices that Israel commits daily against the Palestinian people. It undermines their non-violent call to boycott, which is their last resort for justice and freedom after 64 years of oppression and dispossession.

Your recent effort to raise awareness for the children of Africa through UNICEF was very commendable and would lead us to believe you would be interested to hear more about the plight of the Palestinian people. Being a musician of conscience, would you consider staying home? Would you refrain from playing in Israel?

Imagine if the children of Africa that you raised funds for were under military rule, and because of their ethnicity they were placed behind tall cement walls, and made to wait for hours to go through checkpoints. Suppose they were forced into an open air prison in which musical instruments and chocolate were not allowed in, and drones littered their skies daily, their memories grey with sadness from 22 days of bombing where over 1400 people were left dead, white phosphorus burning hands that would have liked to play music. If they asked you not to play for the government that was harming them, would you ignore their request and play anyway? Would you wine and dine with the elite in a resort, letting them hear your lovely voice and smooth jazz music all the while ignoring the suffering just miles away? Three artists based in France decided to cancel their Israel gigs in 2011 – will you join Vanessa Paradis, Mireille Mathieu, and Oumou Sangare?

Students in Seoul, Korea participated in Israel Apartheid Week in 2011. Please watch their very creative efforts:

If you are still not sure why over 170 civil society organizations in occupied Palestine have come together since 2005 to ask artists like yourself to boycott Israel, we’ve included some valuable background information below, written by the Palestinian BDS movement.

Regards,

Don’t Play Apartheid Israel

We are a group, of over 820 members, representing many nations around the globe, who believe that it is essential for musicians & other artists to heed the call of the PACBI, and join in the boycott of Israel. This is essential in order to work towards justice for the Palestinian people under occupation, and also in refugee camps and in the diaspora through the world.

BACKGROUND INFORMATION from the PACBI

Israel subjects Palestinians to a cruel system of dispossession and racial discrimination

Perhaps you are not familiar enough with Israel’s practices, widely acknowledged as violations of international law. If this is the case, then we hope you will reconsider your planned concert after thinking through some of Israel’s trespasses. Your performance would function as a whitewash of these practices, making it appear as though business with Israel should go on as usual. Concretely, Israel routinely violates Palestinians’ basic human rights in some of the following ways:

1. Palestinians in the West Bank and Gaza Strip live under a brutal and unlawful military occupation. Israel restricts Palestinians’ freedom of movement and of speech; blocks access to lands, health care, and education; imprisons Palestinian leaders and human rights activists without charge or trial; and inflicts, on a daily basis, humiliation and violence at the more than 600 military checkpoints and roadblocks strangling the West Bank. All the while, Israel continues to build its illegal wall on Palestinian land and to support the ever-expanding network of illegal, Jewish-only settlements that divide the West Bank into Bantustans.

2. Palestinian citizens of Israel face a growing system of Apartheid within Israel’s borders, with laws and policies that deny them the rights that their Jewish counterparts enjoy. These laws and policies affect education, land ownership, housing, employment, marriage, and all other aspects of people’s daily lives. In many ways this system strikingly resembles Jim Crow and apartheid South Africa.

3. Since 1948, when Israel dispossessed more than 750,000 Palestinian people in order to form an exclusivist Jewish state, Israel has denied Palestinian refugees their internationally recognized right to return to their homes and their lands. Israel also continues to expel people from their homes in Jerusalem and the Naqab (Negev). Today, there are more than 7 million Palestinian refugees still struggling for their right to return to their homes, like all refugees around the world.

4. In Gaza, Palestinians have been subjected to a criminal and immoral siege since 2006. As part of this siege, Israel has prevented not only various types of medicines, candles, books, crayons, clothing, shoes, blankets, pasta, tea, coffee and chocolate, but also musical instruments from reaching the 1.5 million Palestinians incarcerated in the world’s largest open-air prison [9].

Israel uses arts and culture to whitewash its violations of international law and human rights.

In December 2008 and January 2009, Israel waged a war of aggression against Gaza that left 1,400 Palestinians, predominantly civilians, dead [10], and led the UN Goldstone Report to declare that Israel had committed war crimes [11]. In the wake of this assault and to salvage its deteriorating image, Israel has redoubled its effort to “brand” itself as an enlightened liberal democracy [12]. Arts and culture play a unique role in this branding campaign [13], as the presence of internationally acclaimed artists from the West is meant to affirm Israel’s membership in the West’s privileged club of “cultured,” liberal democracies. But it should not be business as usual with a state that routinely violates international law and basic human rights.

Your performance would serve this Israeli campaign to rebrand itself and will be used as a publicity tool by the Israeli government.

Numerous distinguished cultural figures and public intellectuals have joined the call for BDS.

After the Gaza assault and even more so after the flotilla massacre in May 2010, many international artists, intellectuals, and cultural workers have been rejecting Israel’s cynical use of the arts to whitewash its Apartheid and colonial policies. Among those who have supported the BDS movement are distinguished artists, writers, and anti-racist activists such as Archbishop Desmond Tutu [14], John Berger, Arundhati Roy, Adrienne Rich, Ken Loach, Naomi Klein, Roger Waters, and Alice Walker [15].

World-renowned artists, among them Vanessa Paradis, Bono, Snoop Dogg, Jean Luc Godard, Elvis Costello, Gil Scott Heron, Carlos Santana, Devendra Banhart, Faithless and the Pixies have also cancelled their performances in Israel over its human rights record. Maxi Jazz (Faithless front-man) had this to say as he maintained his principled position not to entertain apartheid,

While human beings are being willfully denied not just their rights but their needs for their children and grandparents and themselves, I feel deeply that I should not be sending even tacit signals that [performing in Israel] is either ‘normal’ or ‘ok’. It’s neither and I cannot support it. It grieves me that it has come to this and I pray everyday for human beings to begin caring for each other, firm in the wisdom that we are all we have. [16]

Please say no to performing in Israel.

If you remain unconvinced because of claims that a cultural boycott of Israel may infringe on freedom of expression and cultural exchange, may we recall for you the judicious words of Enuga S. Reddy, director of the United Nations Center against Apartheid, who in 1984 responded to a similar criticism voiced against the cultural boycott of South Africa by saying:

It is rather strange, to say the least, that the South African regime which denies all freedoms… to the African majority… should become a defender of the freedom of artists and sportsmen of the world. We have a list of people who have performed in South Africa because of ignorance of the situation or the lure of money or unconcern over racism. They need to be persuaded to stop entertaining apartheid, to stop profiting from apartheid money and to stop serving the propaganda purposes of the apartheid regime. [17]

[9] http://news.bbc.co.uk/2/hi/middle_east/7545636.stm
[10] http://www.amnestyusa.org/document.php?id=ENGMDE150212009
[11] http://www.ohchr.org/EN/NewsEvents/Pages/DisplayNews.aspx?NewsID=91&LangID=E
[12] http://walt.foreignpolicy.com/posts/2009/05/13/truth_and_advertising
[13] http://mondoweiss.net/2009/03/ny-times-offers-the-rationale-for-the-cultural-boycott-of-israel.html
[14] http://www.timeslive.co.za/world/article675369.ece/Israeli-ties–a-chance-to-do-the-right-thing
[15] http://usacbi.wordpress.com/endorsers/
[16] http://www.wallofsilence.org/news.html
[17] http://www.tcg.org/publications/at/mayjune08/positions.cfm

SOURCE

The year 2011 was a year full of many successes in the campaign for the cultural boycott of Israel. This summary will focus on the cultural boycott with emphasis on musical artists and groups.

The fall of South African apartheid was preceded by many musical artists who joined to create a movement. That movement became known popularly as “I’m not gonna play Sun City.” Israel has not yet seen its Sun City moment fully, but as you’ll see, significant rumblings are beginning.

January, 2011: Jon Bon Jovi was asked not play in Israel. Thus far, boycott efforts have been successful. The singer had announced on Larry King Live he would perform in Israel. After boycott efforts to ask him to refrain, no concert ever happened. [1]

French pop star Vanessa Paradis refuses to perform in Israel.[2] Her partner, American film icon Johnny Depp also cancels his visit to Israel.

February, 2011: Roger Waters (founder of Pink Floyd) comes out in strong support of the cultural boycott when he writes “Artists were right to refuse to play in South Africa’s Sun City resort until apartheid fell and whites and blacks enjoyed equal rights. And we are right to refuse to play in Israel until the day comes — and it surely will come — when The Wall of occupation falls and Palestinians live alongside Israelis in the peace, freedom, justice and dignity that they all deserve.” [3]

German bass-baritone Thomas Quasthoff, scheduled to sing five classical concerts in Israel, withdraws shortly beforehand. He’d been asked to cancel his concerts by BRICUP, Boycott from Within and others. He said his withdrawal was on grounds of illness.

Pete Seeger unequivocally supports the cultural boycott, stating “I misunderstood the leaders of the Arava Institute because I didn’t realize to what degree the Jewish National Fund was supporting Arava. Now that I know more, I support the BDS movement as much as I can.” [4]

May, 2011: August Burns Red refrained from playing at Tel Aviv’s Barby. Just over one week prior to their gig sources said “they have no plans to reschedule, they cancelled because they do not want to play in Israel.” A three month long effort had been launched to ask the band to refrain. [5]

Marc Almond’s cancellation was welcomed by the BDS Movement. [6] Letters, as well as a Facebook page were created to let the “Tainted Love” singer know about the real Israel. His fans passed out leaflets before a UK concert at the Royal Festival Hall, London. His welcome response came four days later when he refused to play in Israel.

June, 2011: Although Kareem Abdul-Jabbar is not a musician, the cancellation of his film promotion at the Jerusalem Film Festival brought a whirlwind of attention to the cultural boycott of Israel. 101 organizations signed a letter praising the basketball legend. [7]

Also, in late June, Jello Biafra and the Guantanamo School of Medicine announced that they would refuse to perform in Tel Aviv. [8] The voice of the Palestinian people was ultimately respected by the vintage punk rocker Jello Biafra.

Punk rock fans unite with punk bands and artists to launch Punks Against Apartheid.

July, 2011: Musicians Dave Randall, Maxi Jazz, and Jamie Catto release the single “Freedom For Palestine” with the Durban Gospel Choir. As the video went viral it gained momentum from endorsements by Coldplay, LUSH Cosmetics, Lowkey, Archbishop Desmond Tutu, Massive Attack, Roger Waters, and many more. [9]

August, 2011: Tuba Skinny, while in Rome en-route to Israel , received information about the cultural boycott. Tuba Skinny refused to perform at the Israel Government-sponsored Red Sea Jazz Festival, cancelling their concert only a few days prior to their scheduled gig. [10] Latin jazz great Eddie Palmieri of Puerto Rico [11]and jazz musician Jason Moran of Houston [12] followed Tuba Skinny, and also cancelled their appearances at the Red Sea Jazz Festival.

September, 2011: Natacha Atlas stuns her Israeli booking agents when she refuses to play her scheduled concert in Israel. She bravely states on her facebook page:

“…after much deliberation I now see that it would be more effective a statement to not go to Israel until this systemised apartheid is abolished once and for all. Therefore I publicly retract my well-intentioned decision to go and perform in Israel and so sincerely hope that this decision represents an effective statement against this regime.”[13]

The cultural boycott came closer to home as the Israeli Philharmonic Orchestra went on tour. Creative protests were seen in many cities in the USA and Europe. A protest in London during the BBC’s Prom Live Broadcast of the Israeli Philharmonic Orchestra resulted in worldwide press coverage when the BBC decided to halt its live broadcast of the concert.

Denise Jannah was written to just prior to her tour in Israel. She did perform in Israel, but her experience in Israel caused her to regret her choice, and she came out in support of the cultural boycott. She stated: “Please let me start by telling you this: of a cultural BDS boycott Ramon and I had NO knowledge, none at all. This is where the problem started, for had I known I would have done things differently: the reasons for this boycott are valid.” [14]

Riverdance set designer Robert Ballagh, in bold support for BDS, called for the cancellation of Riverdance’s tour in Israel, but he was unable to stop it because he does not possess the copyright. However he donated all his royalties from the performance of Riverdance in Israel to the Irish Ship to Gaza campaign.[15]

October, 2011: The Yardbirds were scheduled to play in Israel, and a letter [16] signed by professors in the UK was written to them from BRICUP. They subsequently cancelled their performance. Humanitarians are asking them not to reschedule in 2012.

Greek singer Martha Frintzila bows out of her performance at the Israel Government-sponsored Jerusalem Oud Festival with a the statement that she: “…will not participate in Oud Festival in Jerusalem for conscientious and political reasons.” [17]

Hosam Hayak, a regular performer at the Jerusalem Oud Festival, chose this year to cancel, making a press release in Arabic on his facebook notes.[18]

In another boost to the cultural boycott, John Michael McDonagh, director of Golden Globe nominated (director and main actor) film The Guard, announces that, “due to the conflict, [he] declined to attend the Haifa Film Festival 2011.”

November, 2011: The Jerusalem String Quartet was met with creative protests in both the UK and North America. Parody programs were received by concert attendees in at least four North American cities.[19]

Macy Gray tweets regarding her February Tel Aviv gig @MacyGraysLife “i had a reality check and I stated that I definitely would not have played there if I had known even the little that I know now.”

Punkers Zdob si Zdub of Moldavia were also asked to refrain playing in Israel. They cancelled their 5 November concert, and the BDS movement is asking them to refrain from playing in 2012, as they are being pressured to “reschedule.”[20]

Mireille Mathieu was asked by BDS France [21] to cancel her concert in Tel Aviv. The French singer was also the recipient of a letter [22] signed by seventy people in the artistic community in Gaza asking her to respect the boycott. Mireille Mathieu’s courageous announcement [23] on her website that she has postponed playing in Tel Aviv is a welcome one. The BDS movement encourages her to stand strong against pressure from both French and Israeli booking agents to “reschedule” her concert in the apartheid state.

Rapper MF Doom was called on by numerous groups and individuals not to “rap in the apartheid state.” Press reports indicated he cancelled his 26 Nov concert due to illness. As of this publication, Doom has not rescheduled his concert in Tel Aviv.

In Switzerland, over 150 artists pledge to boycott apartheid Israel.[24]

December, 2011: Oumou Sangaré becomes the third French artist in 2011 to cancel her planned performance with the Israeli Opera, as BDS makes inroads into the classical music world. An informative letter from BDS France was followed by letters from DPAI and BDS Italy. [25]

Joe Lynn Turner’s 16 December concert in Tel Aviv is cancelled.[26]

Joker (UK) refuses to bring his dubstep-bass sounds to Tel Aviv. It appears that his decision might have been influenced by other musicians in the London music scene who asked him to reconsider.

Looking Ahead to 2012:

UK and Irish musicians are taking the lead under the “Freedom for Palestine” banner. In the USA, expect Lupe Fiasco to continue to vocalize his support for Palestinians.

Current campaigns for cultural boycott are underway for Bruce Springsteen, Arch Enemy and Red Hot Chili Peppers to alert them about the reasons to join fellow musicians in refusing to play in the apartheid state. Cultural BDS is growing and volunteers remain busy working in countless creative ways.

SOURCE

Amnesty International, One Struggle for Freedom Must Not Undermine Another

“To Amnesty International,

We are a group of citizens of Israel who support the Palestinian call for Boycott, Divestment and Sanctions (BDS) against Israel until it complies with international law and universal principles of human rights. Some of us are members of Amnesty International and we’re deeply troubled by your endorsement of the Swedish Metal band, Arch Enemy, which is scheduled to give a gig in Israel, despite its record of violating international law and human rights.

We applaud your tireless documentation of abuses of human rights world-wide and the actions you take to bring them to an end. As you very well know, freedom of expression has never been granted to Palestinians by the Israeli military regime. This is evident from the most recent example of the brutal repression of demonstrations against the apartheid wall and settlements in the West Bank, where Mustafa Tamimi was shot to death in the head with a high velocity gas projectile from zero range (http://youtu.be/69GCTj6_BZs).

So many Palestinian activists, many of whom are still in Israeli prisons, are held under “administrative” arrest for weeks and months, in violation of international law and their human rights. We would like to remind you in particular of two arrests that occurred in late 2009:

1. Abdallah Abu Rahma, whom the army tried to convict for “possession of arms”, when in fact an art exhibition was held in his home: A peace-sign constructed from used gas canisters that the army uses every week against the villagers of Bil’in

2. Mohammad Othman, who was arrested for the crime of talking. At the time, this is what Amnesty International had to say:

“Amnesty International said it is concerned that Abdallah Abu Rahma and Mohammed Othman have been detained solely on account of legitimately exercising their right to freedom of expression in opposing the Israeli fence/wall.” http://www.amnesty.org/en/appeals-for-action/israel-must-stop-harassment-and-detention-palestianian-activists

Amnesty international has also been very supportive of our own group, as we are gradually being targeted by the policies of the Israeli government as well. There is no need to explain to you that we knowingly commit a civil offense in writing this letter. Philip Luther, Amnesty International’s Deputy Director for the Middle East and North Africa stated this very clearly:

“Despite proponents’ claims to the contrary, [the boycott] law is a blatant attempt to stifle peaceful dissent and campaigning by attacking the right to freedom of expression, which all governments must uphold.” http://www.amnesty.org/en/news-and-updates/israel-anti-boycott-law-attack-freedom-expression-2011-07-12

We have absolutely no doubt that the Palestinian people were also on your mind, when you launched your “End Repression-Protect Freedom of Expression” campaign. We have absolutely no doubt of the importance of raising awareness about the political prisoners of Yodok in North Korea or the Peace Community of San José de Apartadó. However, we must stress that one struggle for freedom must not undermine another.

Your sponsorship of Arch Enemy, who are scheduled to perform in Israel in January, will directly violate the Palestinian civil society call for boycott, divestment and sanctions (BDS). Hundreds of Palestinian unions, associations, NGOs, institutes, political parties, and groups are asking international artists not to perform in Israel (certainly not in commercial venues), until Israel ends its violations of human rights. Therefore, your sponsorship undermines the Palestinian civil society struggle for equality. liberation and self determination.

In view of this, we ask that you either

1. Withdraw your endorsement of Arch Enemy’s concert in Israel (as you have done before with Leonard Cohen – http://www.pacbi.org/etemplate.php?id=1080) and publicly distance Amnesty International from Arch Enemy’s decision to perform in Israel and express serious reservation about their undermining of Palestinian struggle.

or

2. Assist the band to convey their important message in a way that will not violate the Palestinian civil society BDS call, and will not serve to whitewash Israel’s violations of human rights through a false image of “cultural diversity” and “freedom of expression”.

We would be interested in your comments.

Sincerely,
BOYCOTT! Supporting the Palestinian BDS Call from Within”

SOURCE

“Rafeef Ziadah gives a presentation on “Exploitation of labour of members of a racial group or groups in relation to the facts that Israel has raised barriers to Palestinian employment inside Israel since the 1990s, and that Palestinian labour is now used extensively only in the construction and services sectors of Jewish-Israeli settlements in the Occupied Palestinian Territories” for the 3rd International session of the Russell Tribunal on Palestine in Cape Town, November 2011.”

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The cultural boycott is Palestine’s non-violent form of resistance to the continued oppression and apartheid inflicted on them by Israel. Amnesty making a “show” with Arch Enemy would only serve to normalize apartheid and deflect from the need to hold Israel accountable to International Law.

Electronica musician Moby recently broke the boycott call and played for Israel’s Pic.Nic for apartheid. Moby did not have the audacity to demand that Amnesty International be present at his concert. Art For Amnesty lists Moby as one of their prominent supporters.[2] That Moby broke the boycott call is appalling, but it would have been worse had he removed all references to Palestine on his facebook (he never did), and insisted on Art For Amnesty to join him in Israel, all the while, thanking Israel lobby group “Stand With Us,” and recording vocals with a pro-settler band in Israel.

Can Amnesty International maintain credibility and appear in Tel Aviv with Arch Enemy?

• Arch Enemy has repressed all mention of the Palestinian call on their facebook, aggressively banning human rights volunteers and deleting posts.[3]
• In a disturbing disregard for the Palestinian plight today, Arch Enemy has not responded nor acknowledged the PACBI’s letter written directly to Arch Enemy.
• Arch Enemy’s lead singer has publicly thanked “Stand With Us.” The “Stand With Us” twitter profile clearly shows exactly who they are. Until pressured to remove it, the lead singer kept her tweet of thanks to SWU visible.[4]
• Arch Enemy’s lead singer did collaborate with the pro-Zionist band Amaseffer. She did the vocals for the band’s track “Midian” in 2008.

Amnesty set a precedent in 2009. They chose to withdraw from Leonard Cohen’s concert in Israel.[5] Depending on which way the pendulum swings, Amnesty will either choose to maintain the precendent they set in 2009, or they will choose to ignore the Palestinian call for boycott, creating a setback in the fight for human rights. Hopes are high that Amnesty will simply refrain.

_____________________________________________________________________________

[1] See http://www.kadaitcha.com/2011/12/19/anarchist-arch-enemy-stands-with-fascism/
[2] See http://amnesty.org/en/art-for-amnesty/who-works-with-us/music,-gigs-and-tours
[3] See http://zazafl.wordpress.com/2011/12/13/arch-enemys-angela-gossow-refuses-to-hear-palestinian-voices/
[4] http://refrainplayingisrael.posterous.com/arch-enemy-thanks-israel-lobby-stand-with-us
[5] http://www.bdsmovement.net/2009/amnesty-international-withdraws-from-leonard-cohen%E2%80%99s-israel-concert-fund-513#.TvVAVTVSTFK

SOURCE

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