Please Join the Boycott of Apartheid Israel, Above and Beyond

Above and BeyondDear Above and Beyond members Paavo Siljamäki, Jono Grant, and Tony McGuinness,

We are writing to ask you to seriously consider cancelling your gig planned for February 21 in Tel Aviv. Your cancellation would send an effective, truthful message to young people in Israel: Apartheid is unacceptable.

For change to occur, the status quo cannot be supported. One part of the current routine is for trance artists such as yourselves to fly quietly to Tel Aviv, perform for throngs of Israelis and, at times, even for a few Palestinians with Israeli identification cards.

The other part of the present routine is to ignore Israel’s crimes against Palestinians in Gaza and the West Bank. Israel’s medieval siege upon the over 1.6 million people of Gaza is a crime of collective punishment, defying international law, and violating the most basic human rights. Like it or not your audience in Tel Aviv, liberal as they may seem when they are dancing late into the night, largely support that unconscionable siege. Your gigs in Israel only help to reassure them that all is well, that any discomforting awareness can be suppressed in dance and they should continue not to question their state despite its crimes against humanity.

Yet can music really be completely separate from politics? In the case of Israel, it cannot. The act of performing in Israel is interpreted and broadcast as support and propaganda for the state through a willingness to violate the boycott call made in 2005 by Palestinian Civil Society. On the other hand, simply refraining from playing in Israel is a quiet, neutral stand to take. Lastly, speaking out in support of the boycott is a clear stand against apartheid. Roger Waters from Pink Floyd, for example, has taken the latter route, asking his colleagues in the music industry to support the boycott. [1] Portico Quartet also chose to vocally support the boycott, after cancelling their gig planned for this month.[2]

We are asking you to at least take a neutral stand and quietly refrain from playing in Israel. Better yet, we are asking you to appraise the information about the reasons for boycott, and vocally support it. Dave Randall is an example of one of several artists who worked in a collaborative effort to create amazing musical support for Palestine, as well as vocal encouragement for the boycott.[3]

Plans for Lollapalooza Israel were recently scrapped because organizers could not recruit international artists who would agree to perform in Israel, the number of artists willing to play there is dwindling.[4]

Why should trance artists be any different? Trance musicians are also afforded a great opportunity to take a stand for justice. Paavo Siljamäki, Jono Grant, and Tony McGuinness, this is your choice, your opportunity, and now is the time, make your trance music group go way above and beyond, support justice and call out against apartheid, don’t return for a third time to Israel.

Warm Regards,

Don’t Play Apartheid Israel
We are a group, of over 1000 members, representing many nations around the globe, who believe that it is essential for musicians & other artists to heed the call of the PACBI, and join in the boycott of Israel. This is essential in order to work towards justice for the Palestinian people under occupation, and also in refugee camps and in the diaspora throughout the world.

Trance Addicts Against Israeli Apartheid
We are a newly formed group dedicated to the advocacy and promotion of a trance music boycott of Israel.

[1] Tear down this Israeli wall: I want the music industry to support Palestinians’ rights and oppose this inhumane barrier by Roger Waters
http://www.guardian.co.uk/commentisfree/2011/mar/11/cultural-boycott-west-bank-wall

[2] Portico Quartet Respects the Boycott of Israel
http://refrainplayingisrael.blogspot.com/2012/12/portico-quartet-respects-boycott-of.html

[3] Dave Randall interviewed about ‘Freedom for Palestine’ single
http://www.socialistworker.co.uk/art.php?id=25100

[4] Party’s over for Perry Farrell: Lollapalooza Israel collapses as artists said to stay away http://electronicintifada.net/blogs/ali-abunimah/partys-over-perry-farrell-lollapalooza-israel-collapses-artists-said-stay-away

SOURCE

Lollapartheid Off the Menu of Lollapalooza Festival!

Great news of another early 2013 victory for boycott, divestment and sanctions of apartheid Israel! Lollapalooza Israel 2013 has been removed from the official Lollapalooza site and apparently cancelled according to this Ynet report:

‘… plans to hold the American Lollapalooza music festival in Israel in the summer have apparently been cancelled.

Although the Israeli producers denied the report, all Israel-related content has been removed from the festival’s official website.’

The Ynet Hebrew report gives a bit more detail:

“there were many difficulties in recruiting famous artists to take part in the festival..”

Thanks to the courageous bands and musicians who have refused to breach the boycott, following efforts to make them aware of the necessity to respect the Palestinian-led boycott by Lollapartheid Israel: Artists of Conscience, Respect the Boycott and Boycott from Within!

Official news of the cancellation of the Israeli Lollapartheid festival is now awaited.

Arutz Sheva’s Gutter Yellow “Journalism” Smears Stanley Jordan

Arutz Sheva INN storyThe online news service, Israel National News, has misrepresented the reporting on Jordan’s cancellation from this blog. A link to the story from the INN dizzying spin would have enabled readers to determine the truth of the matter. Is this too much to ask of Israel’s mainstream media?

On the 6th January, following effective advocacy from supporters of the Palestinian-led boycott, divestment and sanctions movement, Stanley Jordan, who was to headline the Red Sea Jazz Festival at Eilat this month announced that he was cancelling his gig, apologising for any inconvenience caused.

With an embarrassing display of gutter journalism, INN implies that this blog reported Stanley Jordan as having had his “hayday [sic] in the 80s” bowing “to a cultural boycott by Arab sympathizers after initially chosing [sic] to honor his commitment and “hold a special event later on in the year to promote justice for Palestinians.””. Is Israel so far up against its apartheid wall that it now selects hasbeens to headline its Festivals?

Jordan is a major jazz fusion performing and recording star, who has played with the likes of Miles Davis, Benny Carter and Dizzy Gillespie, and who has developed a unique two-handed tapping guitar technique. He is also an academic specialising in music therapy. Sometimes the best therapy for dysfunction is to withhold music altogether.

Israel’s opportunistic government unashamedly uses all culture as propaganda – apparently it is not beneath its media propaganderists to misuse cancellations by principled artists after calls to boycott to misquote the messenger and smear the artist as well. Yet perhaps the headline of the INN story betrays how close the Israeli-government sponsored festival was to closing after Jordan’s cancellation.

Artists who still have not committed to cancelling their entertainment of apartheid at the Red Sea Jazz Festival and respecting the boycott are Erik Truffaz, Benjamin Taubkin, Marcelo Pretto, Jacky Terrasson, Yuri Honing, E J Strickland, Wolfert Brederode and the Motion Trio. To help persuade these artists to stand on the right side of history with the oppressed Palestinian people demanding justice, freedom and human rights, information for action is available on the Boycott the Red Sea Jazz Festival facebook page.

Thus far, artists who have cancelled their performances at this year’s Red Sea Festival include the Portico Quartet, Andreas Öberg and Stanley Jordan. Before the 2012 Israeli Government-sponsored Eilat festival, Tuba Skinny decided to refuse to play while in Rome en-route to Israel after receiving information about the cultural boycott, only a few days prior to their scheduled gig. Latin jazz great Eddie Palmieri of Puerto Rico and jazz musician Jason Moran of Houston followed Tuba Skinny, cancelling their appearances at the Festival. None of these artists have rescheduled performances in Israel to date.

Note to INN – this is the Kadaitcha blog, which publishes many different writers and sources, including @Jinjirrie. The story on Stanley Jordan’s cancellation from the Red Sea Jazz Festival was sourced from Don’t Play Apartheid Israel and first published on the Refrain Playing Israel blog.

Related Links

Stanley Jordan’s withdrawal, and the worldliness of jazz
On Educating Stanley : Analysis of the First 2013 BDS Victory
First Win for Cultural Boycott in 2013 : Stanley Jordan Cancels
Spirituality, Stanley Jordan, and BDS
Stanley Jordan, Please Respect the Boycott of Israel
To the Palestinian People – Against the Normalisation of Apartheid by Joy Harjo
Hasbara and the Case for Cultural and Academic Boycott of Israel
Everything BDS: Stanley Jordan: Don’t Cross the Picket Line
BDS Switzerland asks Erik Truffaz to refrain playing in Israel
OPEN LETTER asking Érik Truffaz to refrain playing in Israel
OPEN LETTER to Yuri Honing: Boycott the Red Sea Jazz Festival in Apartheid Israel
Portico Quartet Respects the Boycott of Israel
2012 – A Great Year for Cultural Boycott of Apartheid Israel

On Educating Stanley : Analysis of the First 2013 BDS Victory

Educating Stanley Jordan: Facebook Showdown Produces BDS Victory to Ring in the New Year

by Rima Merriman
(this piece is a sequel to Rima’s first article on Stanley Jordan and BDS)

On January 5th, to everyone’s surprise, noted American jazz/jazz fusion guitarist and pianist Stanley Jordan posted this news that was music to the ears of BDS activists everywhere: “My performance at the Red Sea Jazz Festival has been cancelled. I apologize for any inconvenience to anyone.” Those who had been tracking the debacle will know that this is a reversal of his earlier decision, one in which he had announced he would go forward with his gig. Although he did not say why, or even attribute his own agency in his new announcement, the backlog on Facebook is telling.

On Dec. 24th, Jordan posted this update on his Facebook page explaining that he had “received several messages from people requesting that I cancel my performance at the Red Sea Jazz Festival in Israel,” for which he was billed as the headlining artist for the Israeli festival (his image was used to create publicity posters in Hebrew for the state-funded event). In that initial post, he wrote:

I’ve received several messages from people requesting that I cancel my performance at the Red Sea Jazz Festival in Israel. I promised a detailed response, so here it is. I would like to start a dialog right here to discuss this topic. Next to global warming the Middle East conflict is the biggest issue of our time, and it’s too important for black-and-white responses that ignore the nuances. And we truly need an open dialog with a spirit of mutual compassion for everyone involved. For my part, I want to use my talents and energies in the best possible way for the cause of peace. This purpose is deeply ingrained in my soul’s code, and I’ve known it since childhood. So the only remaining question is: How can I best accomplish this goal? I invite you all to weigh in. I’d like to start the discussion by recommending a wonderful book called, “Embracing Israel/Palestine: A Strategy to Heal and Transform the Middle East,” by Rabbi Michael Lerner. I’ve been reading a lot on this topic but this book stands out for me because it resonates with my own feelings. I encourage everyone to read it as background for our discussion. And please keep your comments clean and respectful. Let’s model the type of dialog that will eventually lead to a solution.

His invitation came on the heels of an unsuccessful attempt to secure the compliance of the academic and cultural boycott by another jazz musician, Native American poet Joy Harjo who rejected the call and went ahead with her performance at Tel Aviv University. In that case, the “dialogue” was derailed from the get go by both her obvious disingenuous claims to solidarity with the Palestinian people and the persistent efforts of Zionist trolls that ended up colonizing her Facebook timeline. As such, Jordan’s announcement posed a challenge for all BDS supporters, especially those who work in concert with the Campaign for the Academic and Cultural Boycott of Israel (PACBI). Like Harjo, Jordan – as his subsequent Facebook comments revealed – had cited the spirit of his art and higher consciousness as a major reason for not honoring the international boycott.

The ensuing discussion on Jordan’s Facebook page was a remarkable drama for two reasons. For one thing, the hasbara trolls, who had plagued the discussion with Harjo, were nowhere to be found
until after (indeed, immediately after) Jordan announced his decision to cross the picket line. That announcement came on January 1st in a status update that read:

Our discussion revealed a crisis whose depth was even far greater than I had known, and I felt compelled to help. Like many others, I am deeply dedicated to the cause of world peace, and this situation goes against everything anyone with a heart could ever condone. However, after much consideration I concluded that the best way I could
serve the cause would be to do my performance as scheduled, but separately organize an event in a major city in the United States to raise funds and awareness of the plight of the Palestinian people.

Only after close to 600 comments (out of over 800 on that one thread) were posted by activists seeking to educate Jordan on all aspects of the plight of the Palestinians and the nature and objectives of the BDS appeal did the artist reveal that individuals from the Zionist contingent were in fact pressing their case with Jordan via private messages, out of the sight of the BDS activists.

Second, the absence of (overt) trolling allowed for an exemplary demonstration of what well-informed, dedicated BDS advocates can do with a thread if they are not constantly fending off accounts spouting Israeli Ministry of Foreign Affairs talking points. The result was passionate well-reasoned and forceful advocacy for the Palestinian cause from a diverse group of people on several continents, many of whom were unconnected with one another or had just become Facebook friends as a result of the virtual encounter. Palestinians, Jews, Arabs, Christians, Muslims, Israelis, European-American settlers, Australians, Native Americans, and many others took part in the discussion which continued throughout New Year ’s Eve across various time zones on the globe.

It is worth asking why Jordan, who once publicly endorsed the cultural boycott of apartheid South Africa, was ultimately not convinced by the extensive discussion in which he actively participated, and what, if anything, it tells us about the efforts of PACBI supporters. One also wonders what it was that made Jordan reconsider. It would be really useful if he were to make a full clear statement of support for BDS in the future.

The ebb and flow of the discussion [highlights on key issues can be found here, in what eventually turned out to be a long thread of over 800 posts, shows how well the activists’ comments elaborated on and complemented one another. One person would drop an idea out there, and someone else would pick up on it. Great care was taken to remain respectful, as people tried to understand Jordan’s frame of reference and engage him meaningfully within it without patronizing him. One turning point in the discussion was an explanation of what constitutes being “in solidarity” in the human and civil rights movements. “Being in solidarity,” wrote Adrian Boutureira Sansberro, “entails being able to take direction from those one claims to be in solidarity with. Learning how to take direction, as to what is it that those we are in solidarity with wish us to do, is a huge aspect of shifting the relationships of power between the oppressed and the oppressor. It is also a way to really come face to face with our own true commitment and power issues.

One of the many things on which Jordan was called up is the claim that he had no prior political involvement as a musician. It became apparent, however, that he had, in fact, made very clear, public, and political statements on the subject of playing Sun City with fellow artists in 1987. At the time, Jordan had supported the spirit of the boycott but was never put to the test. But in the discussion thread, he waived off the contradiction between the principled stand he took then (and his position in support of various other human rights causes) on the one hand, and his reluctance to take a comparable stand on the boycott calls on the other. At that point in time, he appeared to want to have it both ways.

After Jordan made his January 1st decision not to support the boycott, some suggested that the entire dialogue was intended to provide cover to a decision Jordan never intended reconsidering. Others have pointed to the difficulty of responding to arguments one cannot see. I believed that, although he did come to see the justice of the Palestinian cause and even to sympathize with it, Jordan simply did not wish to let go of his gig for financial reasons (what he described as “the reality of my situation”). At one point in the discussion Jordan asked Israeli boycott supporters, “why should we outsiders bare [sic] the economic brunt of the boycotts? You want me to quit my job, so then shouldn’t you be quitting yours too? After all, any economic activity aids Israel and can be seen as de facto normalization.” In answer to that, people, of course, pointed out that being asked to cancel a gig is not the same as quitting a job.

Anyone who studies the thread can easily see that, throughout the discussion, Jordan and his publicist (who eventually jumped into the discussion in his stead) were searching for a line that would validate his strong desire to keep the gig but that would also allow Jordan to sympathize or “ally” himself (as opposed to being in solidarity) with the Palestinian people (hence, the charity concert that would follow in the United States). At that time, Jordan kept insisting that, as a musician he had no political role to play (even as it was made crystal clear to him that he himself was, in fact, being played by Israel’s politicians). He was just a guitar player. He felt his music went “to the heart of the subjective, interior dimension, and the world of all things spiritual” and had the power to “influence humans to be more humane”, so he just wanted to perform and to leave it up to his Israeli audience to “decide for themselves how to use the inspiration”.

Once his first frame of reference as represented by Lerner’s book was summarily critiqued, Jordan kept introducing into the discussion therapeutic frameworks, such as Neuro-Linguistic Programming, the study of the structure of subjective experience. He ultimately turned away from Ali Abunimah’s vision in One Country: A Bold Proposal to End the Israeli-Palestinian Impasse, which posits that a principled and sustained campaign to impose a cost for Israeli government abuses of Palestinians would, in fact, ease tensions. As Abunimah puts it, once “freed from the hardships of occupation, discrimination, and exile, and engaged by Israeli counterparts genuinely interested in building a tolerant, multicultural, multireligious society, the Palestinian majority would gladly, forgivingly, and open-mindedly choose the same course.” To Jordan, it seemed that would never happen, unless people were “getting along first” – a catch 22.

Jordan’s initial inability to grasp even rudimentary facts about the campaign turned his statement, “You’re also educating me so that I can hopefully someday speak intelligently on this matter” into a farcical proposition. The Palestine Chronicle published an article I wrote after the January 1st announcement he would play, “Stanley Jordan: You Don’t Get to Peace without Real Solidarity”, in which this point was made: “Jordan is now trying to justify his decision by expressing inchoate beliefs about the power of his art to achieve “world peace” by “changing consciousness” while propounding the notion that the boycott undermines the freedom of the artist and limits the transformative power he possesses over his audience.

Now, in light of Jordan’s January 5th announcement that he will not play, he has demonstrated his decision to stand on the right side of history. Still, it would be ideal if he would issue a statement that explains what finally lead him to respect the boycott. But regardless, BDS activists who worked tirelessly to educate Jordan can claim this a victory – and we can all surmise that it was his conscience that prompted him to do the right thing.

Related Links

First Win for Cultural Boycott in 2013 : Stanley Jordan Cancels
Spirituality, Stanley Jordan, and BDS
Stanley Jordan, Please Respect the Boycott of Israel
To the Palestinian People – Against the Normalisation of Apartheid by Joy Harjo
Hasbara and the Case for Cultural and Academic Boycott of Israel
Everything BDS: Stanley Jordan: Don’t Cross the Picket Line
BDS Switzerland asks Erik Truffaz to refrain playing in Israel
OPEN LETTER asking Érik Truffaz to refrain playing in Israel
OPEN LETTER to Yuri Honing: Boycott the Red Sea Jazz Festival in Apartheid Israel
Portico Quartet Respects the Boycott of Israel

First Win for Cultural Boycott in 2013 : Stanley Jordan Cancels

Stanley Jordan headlines 2013 Eilat FestivalBREAKING: American jazz/jazz fusion guitarist and pianist Stanley Jordan has decided to respect the cultural boycott of Israel, and cancel his planned appearance as the headlining artist for the Israel Red Sea Jazz Festival (his image was used to create publicity posters in Hebrew for the state-funded event).

Jordan engaged in a long discussion on his facebook fan page with many people including Palestinians. He initially chose not to respect the cultural boycott call but rather perform in Israel, and then hold a special event later on in the year to promote justice for Palestinians.

https://twitter.com/stanley_jordan/status/287652054288191488

There is an outpouring of support for his decision to cancel ((see screenshot below).

Jordan’s cancellation comes on the heels of cancellations by other Jazz musicians who were featured artists at the same festival. Both Portico Quartet and Andreas Öberg refused to play in Israel. Groups in France and Switzerland are asking Erik Truffaz to refrain playing in Israel. A Dutch group has asked Yuri Honing to also cancel.

Don’t Play Apartheid Israel

We are a group of 950 members, representing many nations around the globe, who believe that it is essential for musicians and other artists to heed the call of the PACBI, and join in the boycott of Israel. This is essential in order to work towards justice for the Palestinian people under occupation, and also in refugee camps and in the diaspora throughout the world.

JOIN Boycott the Red Sea Jazz Festival in Apartheid Israel on Facebook

SOURCE

Stanley Jordan Cancels – Facebook Thread

Related Links

Spirituality, Stanley Jordan, and BDS
Stanley Jordan, Please Respect the Boycott of Israel
To the Palestinian People – Against the Normalisation of Apartheid by Joy Harjo
Hasbara and the Case for Cultural and Academic Boycott of Israel
Everything BDS: Stanley Jordan: Don’t Cross the Picket Line
BDS Switzerland asks Erik Truffaz to refrain playing in Israel
OPEN LETTER asking Érik Truffaz to refrain playing in Israel
OPEN LETTER to Yuri Honing: Boycott the Red Sea Jazz Festival in Apartheid Israel
Portico Quartet Respects the Boycott of Israel